Not a compressor per se but adding mix glue is Waves NLS (all tracks and busses)Īny one could be used for Parallel Compression as well.Audio Damage Rough Rider (Returns and percussion mostly).Waves Puigchild 670 (vocals and shiny synths) is somehow unhearable even when molding everything.Waves VComp (Busses, sidechained tracks and Bass).Live Compressor (Instruments and returns).Waves C4 (On unwieldy instruments and on the Master as mild corrective glue).Waves C1 (transparent with great sidechain).These are the ones I use more often currently in no particular order and typically then prefer to The Glue in Live: It's all-right for most tasks but other compressors somehow sound better even when more transparent. I use the Live Glue device on returns mostly as it is. Why could it be I don't like Glue as much as expected? I just acquired a different taste with time? Or could this be the reason? Maybe I'm using it in a non beneficial way? Most tracks as well as busses are about -18dBFS RMS, sometimes a little less. Tell me Mr Krafty Kuts has been smoking something weird please. Instead I use about 25 other compressors/Limiters with a handful in each project. I was on the verge of getting Cytomic The Glue in 2013 and as I got it with Live I never investigated this. DJ Krafty Kuts on " Cytomic The Glue" Computer Music, August 2017 on page 16.Īnd I've been telling myself they are the same and apparently I'm not as fond of The Glue device as I thought I'd be. To my ears, it seems to have a bit more flexibility, a bit more control, and a bit more oomph.” Obviously, I work with Ableton, but I tend to use the old, pre-Ableton version. “As much as I love the Ableton stock plugins, I do think there’s something missing from their version of Glue.
0 kommentar(er)
